Brown Baggers had a full house, or at least full Madison Room, at the discussion of the classic novel The Count of Monte Cristo by Alexandre Dumas on January 19. Written in 1844, Monte Cristo is a tale of revenge. Edmund Dantes, the main character, is wrongfully imprisoned for over a decade. Upon getting out and learning he has lost his love and his family, he recreates himself as the Count of Monte Cristo and seeks vengeance against those who caused his misfortunes.
Assuming new identities was a common occurrence in this book. In addition to the Count, many of the characters he is after also reappear under other names or with new titles. In the Count’s case, readers felt this also came with a personality change. This could be the result of his harrowing time in prison, or maybe just the persona he needed to complete his vengeful acts. Once he completes those acts readers noted he again seems to make a personality change.
Revenge versus justice was a discussion point as well. Monte Cristo obviously felt he was meting out justice as he regularly states he is just doing God’s will. Or he may have felt they were one and the same. This speaks to Cristo’s sense of omnipotence. Readers suggested it might have been from the seemingly unlimited wealth that was bestowed upon him. Alternately it could have stemmed from his near dying in prison, as well as his having nothing left to lose once he got free. Either way his story of “dying” as a way to get out of prison only to be “reborn” felt strongly reminiscent of the killing and resurrection of Jesus. This omnipotence also surfaced in his treatment of characters whom he cared for and was trying to help with his constant mantra for them to trust him despite his outlandish requests.
The lack of actual politics in a book that incorporates political story lines surrounding Napoleon’s return to power surprised readers. They felt this might have been a result of publishing for a general audience and not wanting to offend anyone’s sensibilities. It was remarked that the book seemed to be comprised of simpler, less flowery language making it perhaps easier to read for the masses. Although readers familiar with the original French version felt it was the result of translation . Regardless, it was agreed upon that Dumas thoroughly understood the segment of society that he writes about which is not surprising since they are events that occurred in or near his lifetime.
Many in attendance had read this title before but a few were new finishers of the 117 chapter tome. Everyone enjoyed the story if agreeing that it was highly implausible. Favorite features were Dumas’ generous details, sense of humor, and excellent dialog. It was also acknowledged that the story went slightly off course in the middle. Once the action picked up, though, the final few hundred pages really flew by.
Next meeting will be February 16, 2017 at noon. We will be discussing The English Passengers by Matthew Kneale.